"Capital is a praxeological concept. It is a product of reasoning, and its place is in the human mind. It is a mode of looking at the problems of acting, a method of appraising them from the point of view of a definite plan. It determines the course of human action and is, in this sense only, a real factor." (Human Action, 515)But of course, in the case of cultural capital, there is less of a material content to it than for economic capital goods. There are of course physical objects: art works, books, etc. But their value is not in their physicality, but in their being absorbed into some human mind. There is thus a continued feedback between the physical object and the human minds in a particular culture, which constitutes cultural capital. In this sense, it is doubly "in the human mind." It informs cultural creators as they create their own works. It is thus a product of their reasining, a mode of looking at the problem of acting to create a new cultural work, a method of appraising that work from the point of view of a definite plan. The cultural creator cannot act without cultural capital -- and the more cultural capital one has, the more likely one is going to create a complex work that fits into the culture's artistic order.
Economics is often used in literary studies, but rarely free market economics. Austrian economics, with its emphasis on subjective value (Menger), human action (Mises), spontaneous order and knowledge (Hayek), and entrepreneurship (Kirzner), seems a particularly fruitful source of ideas for literary studies.
Friday, March 11, 2011
Cultural Capital II
Some further thoughts on cultural capital, looking at what Mises says about economic capital:
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